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  BioGRaPHieS & CoMPoSiTioNS

EMILY WONG


Emily Wong
  2000 Composer for "Waves and Raves"
Emily Wong has written a large body of works for piano as well as for chamber ensemble, including Quartet for Trio for saxophone, flute/alto flute and piano, premiered in New York in 1996. Her Après le Tango (1998) for flute and piano was inspired by the lingering sounds of the many tangos heard at the Cabrillo Music Festival that year, and was described in The New York Times as "a graceful work for flute and piano, in which tango rhythms seem to be recalled as if through a nostalgic haze." Her music has been performed at the Moab Music Festival, the Cabrillo Music Festival, at Eckankar seminars around the U.S., and by such groups as the Locrian Chamber Players and the Ragdale Ensemble.
 
Wong's music engenders genuine and enthusiastic responses from audiences of all ages. Performances are inevitably followed by requests for scoring and recordings. Her Festival at the UCSC Recital Hall in 1998 triggered a request from conductor Marin Alsop for an orchestral piece. Waves and Raves is a result to that inquiry, and is dedicated to Ms. Alsop.

She is currently completing a CD recording of original works for small ensemble, produced by jazz guitarist Rodney Joes. Other projects-in-progress include a concerto for saxophone and orchestra, and a suite for flute and piano to be performed by the Locrian Chamber Players in New York City in August.

Wong began her professional career as the principal pianist and the youngest member of the esteemed Cabrillo Music Festival Orchestra, known for their innovative programming. With a growing interest in discovering and helping to develop new "classics," she has gone on to champion the works of many living composers including her own, and has been highly praised for her interpretations of contemporary as well as traditional piano literature. Critics have portrayed her playing as passionate, enthralling, brilliant, refined and "clean and rhythmically charged" (The New York Times). The Santa Cruz Sentinel wrote, "She swept through the work with a magic want...the dazzle was in itself splendid."

As a pianist, she has appeared often with such orchestras as the San Francisco Symphony, the Oakland Symphony, Philarmonica Virtuosi, Continuum, American Composers Orchestra, and the Stamford Symphony. She has performed at the Sarasota, Idriart and Cabrillo Music Festival, and in the Summer Garden Series at the New York Museum of Modern Art in solo recitals of the works of Igor Stravinsky and Eric Satie. She has recorded for New World Records, Music Masters, Musical Heritage, and the BBC.

Recognized as a chamber musician, Wong has also collaborated with various artists, including Dennis Russell Davies, Leslie Guinn, Ani Kavafien and Camilla Wicks, and on the New York Philharmonic Chamber Series. She is a member of the critically recognized Locrian Chamber Players, the New York-based ensemble dedicated to presenting works of the past decade.

Already playing the piano by ear at the age of three, Wong began early musical training at the San Francisco Conservatory of Music. As a youth she won First Prize in the Pepsi-Cola Young Musicians Awards, and a Monterey Peninsula Chamber Music Society Award. She received her Bachelor of Fine Arts from the California Institute of the Arts, where she attended classes with Harold Budd and Leonard Stein, and studied African music and dance with the Ladzepko family, and piano with Leonid Hambro. She went on to win two First Prizes at the Joanna Hodges International Piano Conference and Competition, subsequently moving to New York City to pursue musical studies on scholarship at the Juilliard School where she worked with Herbert Stessin and John Browning, receiving her MM and DMA.

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